Orkney, Scotland fiddler Louise Bichan announces five dates for live show All Hallows’ Eve: Spooky tunes, songs and tales from Scotland
Joined by guitarist Conor Hearn, mandolinist Ethan Setiawan and cellist Brendan Hearn, and special guests, Louise Bichan presents a weekend of Halloween music and fun from the Celtic Isles, throughout New England. Featuring Samhain traditions, folk tales and songs of trowies, sea serpents, and selkies.
Bichan explains that she has often been asked whether she might consider putting on a Celtic holiday show. “This might not have been exactly what was in mind, but it inspired me to put together a show which celebrates Halloween, the harvest and the end of one season and the beginning of the next.” Bichan has gone back to her Scottish roots in her research for the show. “I’m having a lot of fun pulling together a collection of music and folk tales, some which I’ve grown up hearing and playing, some I’ve written and some which are new to me.”
Bichan is a Maine-based Scottish musician and photographer who uses both mediums to tell stories old and new. Growing up in the remote but culturally rich Orkney islands, a place where creativity abounds and playing music has been a part of the social fabric for centuries, gave Louise a solid grounding in music. Masterfully blending traditional and classical arrangements, her music is thoughtful, and complex, curious and playful. She composes in response to her roots and the world around her; weaving through stories of connection, to people, nature, the past and the possibility of the future.
For several years now throughout the North East, Bichan along with Hearn, Setiawan and Hearn have been performing the music and telling the story of her first record Out of My Own Light, (Swanbister Records, 2016) which follows her grandmother Margaret Tait from Orkney to Canada and back, with a dilemma of the heart to solve. In April 2024 she released The Lost Summer, (Adhyâropa Records) featuring her current touring band, and now she looks forward to this latest venture, hoping it might become a yearly tradition for the group. “We are really looking forward to a bit of lighthearted, spooky fun and hope the audiences will get into the spirit of it, perhaps join us in dressing up and bring along carved neeps (turnips) or pumpkins!”
Special guests have been invited to join the band along the way; fellow Berklee College of Music graduate Hannah Rose Baker joins in Cambridge, Massachusetts and fiddler Katie McNally and pianist Neil Pearlman will join on Halloween night in Portland, Maine. Tickets are on sale now and Bichan explains that all are welcome, but be advised that a few songs will include dark themes such as murder ballads.
Dates
10/29 The Word Barn, Exeter, NH
10/30 Opera House Arts, Stonington, ME
6pm show
10/31 One Longfellow Sq, Portland, ME
11/4 The Cock N’ Bull, Galway, NY
11/5 Zoetropolis, Lancaster, PA
11/6 The Hill Center, Washington, DC
11/7 Music on the Square, Baltimore, MD
more TBC
Video
CONNECT
RECORD LABEL
Adhyâropa Records
Joe Brent
adhyaroparecords@gmail.com
PRESS
McGuckin Entertainment PR
Heidi Labensart
adhyaroparecords@gmail.com
Audience Praise
“This show is something we decided to come to on a whim and is the BEST surprise. Thank you for sharing your art with the world.”
“We love your music, and we love your innovative jazzy numbers.”
“This is the best way to spend All Hallows Eve!! Music, murder ballads, and all things weird!”
“Wonderful!”
“What a grand night of songs, tunes and tales you’ve shared with us.”
“What a delight.”
Previous press
Press for The Lost Summer
“One of the very best practitioners of bow and strings” Seuras Og, At the Barrier
“From stately to poignant to capering to charmingly easygoing” Megan Westberg, Strings Magazine
"taking trad material to new places" Stuart Munro, Boston Globe
“captures the beauty of Scotland sonically” Len Holton,From Albion and Beyond
“sophisticated” ★★★★ Jon Bennett, RnR Magazine
"demon fiddling" Ian Anderson, Podwireless
"curious and playful" Cindy Howes, Folk Alley
"grittily majestic groove" Sean Smith, Boston Irish Reporter
"glorious" Jonathan Aird, Americana UK
“beautiful” Anna Massie, BBC Radio Scotland
“tasty fiddling” Dai Jeffries, Folking
“a rich, immersive listening experience” David Noel Edwards, The Berkshire Edge
press for out of My Own Light
"Sketching with sound in a way that is truly cinematic...stately chamber music, evoking travel and turmoil with savage beauty." ★★★★★Northern Sky
“Powerful and evocative”★★★★Sunday Express
"This is a truly beautiful piece of art."★★★★Billy Rough, Songlines Magazine
"Wistful and heartfelt." ★★★Neil Spencer, The Guardian
“builds a musical bridge between memory and motherland and it’s a powerful document.” ★★★★ Louise Gray, New Internationalist
"It's vividly evocative." ★★★ The Independent
“Here's a record to wrong-foot expectations! Captivating." ★★★★ Oz Hardwick, R2
“Vividly expressive and evocative” Sue Wilson, Scotsman
“Evocative chamber-folk” FRoots
"Abstract, emotive and atmospheric" Jim McCourt, The Living Tradition
"A stand-out talent" Darol Anger
“dexterous and, big-toned” Jim Gilchrist, The Scotsman